Monthly Playlist: February 2022

We’ve finally got some other exciting content on the way for our blog/site, but that doesn’t mean we’ll stop banging on about the tunes we’ve been listening to. Check out some of our picks below.

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Chris – Guitar

Show Me A Dinosaur – Sunflower

Terrible band name, great song. This is firmly in the vein of New Bermuda-era Deafheaven, with a similar vocal style and a similar warmth to the production – given that Deafheaven’s newest album didn’t click with me anywhere near as much as their previous material, this was a welcome find.

Chthonic – Rise of the Shadows

Mirror of Retribution is probably still my favourite album by Taiwanese black/death metallers Chthonic, with a stacked tracklist and fascinating themes of Taoist hell and myth. This song is crammed with absolutely huge riffs and perfectly-pitched vocals, making it a real standout on a great album.

With the Dead – Crown of Burning Stars

Lee Dorian is one of my favourite vocalists (OOH YEAHHH?!) and this project marries his classic vocals with utterly filthy, bone-crushingly heavy doom/sludge riffs. Seeing them at Roadburn in 2016 was a true treat, and this track is just pure Dorian heavy goodness.

Sabaton – Primo Victoria

Look, sometimes you just want to listen to cheesy power metal, okay? I’ve been watching a bunch of WW2 documentary content this month, and this track remains my unshakeable mental soundtrack to the D-Day landings thanks to a great sing-along chorus. TO THE GATES OF HELL!

Ibaraki – Tamashii No Houkai

I’ve been waiting for this for a long time – atmospheric black metal based on Japanese mythology, created by Matt Heafy (guitarist/vocalist of Trivium, who I fully idolised in my teenage years) with Ihsahn of Emperor. The first track from this project does not disappoint – it has similar vibes to Ihsahn’s heavier solo material, but you can clearly hear Heafy’s influence and penchant for vocal hooks as well. I’m excited to hear more!

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Nick – Guitar

Boundaries – The Devil’s Breath

A tasty little hardcore track from last year with an outrageous breakdown in the second half. I listened to this on my walk to work and got there nearly ten minutes quicker than normal, not even kidding.

Dance With The Dead – Kiss of the Creature

Why did no one tell there was a synthwave/metal band inspired by John Carpenter? I mean I know that phrase applies to a lot of bands, but why did no one tell me about this one in particular?

Seven Nines and Tens – Fight For Your Right To Partial Relevance

A hidden gem discovered by chance scrolling through recent releases on Bandcamp. A band I’d never before heard of, SNaT are a grungy shoegaze post-metal via 70s psychedelic rock band and their new album is all trill and no fill, check it out.

Sleep Token/Loathe – Is It Really You?

My favourite band of 2021 covering my favourite band of 2020. Have I slipped into a coma and started experiencing my wildest dreams or something?

Devin Townsend Band – Deadhead

After several years of light encouragement, I finally relented and listened/was forced to listen to a track that Richard has often dubbed the greatest song ever written. I still stand my believe that the epithet belongs to ‘September’ by Earth Wind and Fire, but this track is pretty damn good, and proof were it ever needed that simple melodies with great harmony are without parallel.

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Richard – Bass

Meshuggah – Stengah

The announcement of a new Meshuggah album has had me going back to the classics and absolutely rinsing them this past few weeks. Nothing is a favourite of mine for it’s unparalleled groove. Even now, well past the era of djent bands aping their guitar tones and some of their dizzying polyrhythms, there’s still no one who sounds like these truly alien machine beings. Crushing.

My Dying Bride – Christliar

Alongside a Meshuggah binge I’ve been having a bit of a MDB resurgence too, mainly after a long chat about them whilst hanging out with Joe from Ethereal Shroud recently. The Light at the End of the World is my go-to choice of album from them, and this track starts out in churning riff territory before evolving into a plaintive cry-fest, as per.

Ian William Craig – Contain [Astoria Version]

I discovered Ian William Craig at the end of last year and enjoyed getting dragged into his world of glitchy ambience, punctuated with a strong melodicism and some haunting vocals. It’s like a little lost robot singing lonesome tunes from the centre of an electrical storm on a distant planet. Or something.

Anomalie – Vision V: Starless Nights

Riff-driven post-black metal from the live guitarist for Harakiri for the Sky. Catchy melodies, tons of emotion, heavy riffs – you don’t need much more. Whole album (you guessed it: it’s called Visions) recommended as a cohesive experience.

Woman is the Earth – Lungcrusher

Atmospheric black metal from the WITTR playbook, but with some nice textural and compositional intricacies that make it their own. Good shit.

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Luke – Drums

Arch Echo – Red Letter

As I’ve come to expect from this band, their new single makes me feel like I’m having a lot of fun in a djenty, jazzy video game. This band just know how to make me smile.

Meshuggah – Abysmal Eye

They are back in full force with a heavy, driving master piece. The classic Meshuggah approach of polymeters builds up to some really fun rhythmic stuff in the middle of the song before calming back down to pure headbanging groove which I cannot wait to experience live!

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