More songs and words from camp Ba’al, this time featuring some tracks picked by our as-yet-unrevealed new guitarist. Guesses on a postcard, please.
Nick – Guitar
Bossk – Menhir
This band. This fucking band. Bossk were my gateway to post metal and they’ve occupied a private room with a mini-fridge and snacks in my heart ever since. As one of the lucky few to have already heard their new album (low key journo flex) I’m here to say it proper slaps.
Erdve – Lavondėmės
Order yourself an ice cold slapuccino to go because this shit is heavy and it waits for no one. The Erdve bus has no designated stops, you just run and jump through the open windows and hope it throws you back out somewhere near your planned destination. It won’t matter once you’ve arrived though, your coffee is everywhere and you’ve been decapitated.
Eomac – What Does Your Heart Tell You?
This makes for a very pleasant interval. I asked some folks for something to fill my Max Cooper shaped IDM hole and Eomac delivered with a smile. Really great electronic album that flew under my radar.
Dystopia – Razernij, Deel I
A lot of people don’t like the brass instrumentation we’re getting more and more of in black metal these days, but I for one am completely hooked on that shit. Dicks out for the trumpet.
John Denver – Take Me Home, Country Roads
We watched Whisper of The Heart recently, which provides all the heartwarming whimsy that one would expect of a Studio Ghibli film, and this track gets played several times throughout (albeit with different lyrics). It gives me wholesome yankee-doodle-dandy vibes.
Richard – Bass
Dodecahedron – Dodecahedron – An Ill-Defined Air of Otherness
At the online-only version of Roadburn in April, one of my favourite discoveries was the band Autarkh, who will no doubt end up in a future playlist of mine. However, looking into them I found that they are essentially an offshoot of Dodecahedron, a now-defunct Dutch avant-garde black metal band, whose last album I am now hooked on. Crushing, progressive, mechanical but also rich with melody and ambience – all boxes ticked.
Clown Core – End
Look, I get it. They’re basically a joke band, and both Nick and I have talked about them here before. But I am on a mission to make people realise that these two be-masked maniacs are actually musical geniuses. This song – funnily enough the penultimate track from their 18-minute 2020 opus Van – is a gorgeous ambient piano piece, which is a glorious composition on it’s own and only moreso when you take it in after ten tracks of insanely chaotic grinding electronic jazz metal played by two people in clown masks being driven around in a people carrier. Get with it.
Gjon’s Tears – Tout l’Univers
Though my Eurovision favourites this year were Go_A from Ukraine and Daði Freyr from Iceland (and yes, I did also have a soft spot for the unashamed nu metal of the Finnish entry), this soaring entry from Switzerland is the one that’s been stuck in my head since the big night. I was really rooting for it when it became clear it had a shot near the end, and I was sorely disappointed when it was beaten to the post by the Italian imitation of Buckcherry.
Anna Von Hausswolff – Deathbed
I’ve been slowly immersing myself in the musical world of AVH this year, and this is a choice cut from her most organ-heavy work. It’s ethereal, droning and artistic darkwave/dream pop driven by a massive church organ, and with vocals that have more than an air of Kate Bush around them.
Muse – Stockholm Syndrome
In the absence of live music, my partner and I have had more than a few evenings in the last 18 months watching big budget live DVD performances accompanied by and ill-advised number of beers, but the ideal crowd size (two). Muse’s HAARP performance was the latest, and I’ve been really hammering the riffiest tracks off Absolution since. Without any serious thought or consideration for other contenders, I’m going to go ahead and claim that this song has the best chorus of any guitar-based song in the 2000s.
Joe – Vocals
Portal – Writhen
Lovecraftien cacophony and the musical equivalent of all that goes bump in the night sure to make you poo your pants.
Monstrosity – Remnants of Divination
Unfairly regarded as a training centre for musicians before they join a bigger death metal band, Monstrosity never get their due. This track is the perfect mid-paced combo of technical and catchy.
Grima – Rotten Garden
Fantastic Russian atmospheric black metal with added squeezebox and I Am Groot masks.
Show Me A Dinosaur – Hum
Another hit from Russia. Brilliant post black metal from the album Plantgazer that beautifully captures the feeling of life in lockdown.
Epica – The Skeleton Key
Nobody does symphonic bombast quite as well. Huge chorus, massive hooks and subtle use of a childrens’ choir make this track a joy.
??? – Guitar
Heretical Sect – Ritual Inversion
Haunting melodies, guttural vocals, fantastic artwork and a powerful narrative underpinning their work. This blackened death-doom act from Santa Fe were a Spotify discovery and the album has been on rotation since.
Enslaved – Roots of the Mountain
For my money, RIITIIR is still Enslaved’s crowning achievement – monolithic and anthemic in equal measure. This sprawling 9-minute epic evokes Norse mythology and pairs it with a feeling of vast landscapes and defiance – try not to snarl along to “HARK! MEN OF FAITH!”
Sigur Rós – Brennistein
Sigur Rós aren’t known for being the heaviest of bands – they’re much happier to stick with uplifting and transcendent. This track, the opener off 2013’s Kveikur, was definitely a shift – a huge, stabbing bass line and some thundering drums lay the groundwork before the falsetto, soaring vocals take you to another world.
Lustmord/Karin Park – Hiraeth
Haunting, ethereal vocals over deep, droning atmospheres? Where do I sign? This is a collaboration for the ages and perfect music to relax to.
Zeal & Ardor – Run
Zeal & Ardor continue to evolve, with each album developing the themes and sounds of the previous one. This is the first track they’ve dropped from their upcoming third album, and if this is anything to go by, the album is going to blow some heads off.